First impressions.
Many years ago, I worked for my parents who own a video production company. Because it is a family business, you inevitably end up wearing many hats and being the czar of many different jobs. I mainly managed projects and worked as a video editor. On production, there were times that I was called on to work as an audio tech and was made to wear headphones on long production days. In those days, having a really good set of headphones that picked up every nuance of sound was essential to making sure the client got what they needed. Many years ago, I worked for my parents who own a video production company. Because it is a family business, you inevitably end up wearing many hats and being the czar of many different jobs. I mainly managed projects and worked as a video editor. On production, there were times that I was called on to work as an audio tech and was made to wear headphones on long production days. In those days, having a really good set of headphones that picked up every nuance of sound was essential to making sure the client got what they needed.
Naturally, my first impression of these headphones is based off of the look of them. They have a classic over-the-ear style that is highlighted by a blue LED light that indicates the power for the noise canceling. The padding on the ear pieces seems adequate for extended usage periods.
They are wired headphones, but the 3.5mm stereo mini-plug cable is detachable. Something else I noticed right of the bat was the very nice carrying case that comes with them. It has a hard plastic exterior with a soft cloth interior that helps to protect the surface of the headphones from scratches. I never truly appreciated cases for headphones until I started carrying them from place-to-place. Now I can’t imagine not having a case.
It’s safe to say that because of my unique professional experiences, I’ve tested out a lot of headphones.
John Williams
A perfect fit.
Once I gave the headphones a thorough once-over exam, I tried them on. As I mentioned, they have a classic over-the-ear style and just looking at them, the padding on the ear pieces seem adequate and the peak of the headband seemed to be a bit lacking, but you don’t really know comfort unless you try on the product. So, I slipped the headphones on and found them to be exquisitely comfortable. In order to test how voices sounded, and the overall art of sound mixing, I pulled up Netflix on my iPad Air 2 and watched a few minutes of a movie to hear all the nuances of the film. None of them were lost. In fact, I ended up hearing sounds that I hadn’t heard before. Echoes…birds chirping…wind blowing through trees…breathing of the characters…it was very impressive what the headphones ended up bringing out for me.
Quality.
Now that I had the headphones on my head, I was finally ready to plug and play some music. I plugged the provided cable into the jack on the headphones and then the one on my iPhone 6. Then I called up Pandora. I tend to have a very eclectic music purview and have many stations set up for different moods. From John Williams to Fallout Boy, the sound quality of these headphones was remarkable. There is an amazing depth of sound and incredible highs and lows that make listening to music a truly breathtaking experience.
In order to test how voices sounded, and the overall art of sound mixing, I pulled up Netflix on my iPad Air 2 and watched a few minutes of a movie to hear all the nuances of the film. None of them were lost. In fact, I ended up hearing sounds that I hadn’t heard before. Echoes…birds chirping…wind blowing through trees…breathing of the characters…it was very impressive what the headphones ended up bringing out for me.
04/02/2021
Papeis da Academia 2019
07/12/2020
Benvida da directiva 2020
06/12/2020
Manuel Precedo, cineclubista
06/12/2020
Ángel Sánchez, director de festival
06/12/2020
Milo Baños, distribuidor e exhibidor
06/12/2020
Alicia Dapena, técnica de vestiario
06/12/2020
Lidia Fraga, guionista
06/12/2020
Xúlio Abonjo, actor
06/12/2020
Paula Cons, directora
06/12/2020
Mamen Quintas, produtora
05/12/2020
O que vai vir en 2021
18/12/2019
Papeis da Academia 2018
15/12/2019
#MestreMateo19: Os premios nas redes
15/12/2019
Palmarés dos XVII Mestre Mateo
11/12/2019
Benvida da directiva 2019
09/12/2019
O mellor dos festivais galegos
09/12/2019
O que vai vir no 2020
28/12/2018
Benvida da directiva
28/12/2018
Tamén sucedeu na Academia
27/12/2018
Encarna Alonso
27/12/2018
Cando eramos novos
27/12/2018
A colleita galega
26/12/2018
O ano de ‘Dhogs’
26/12/2018
O noso patrimonio audiovisual en GIFs
26/12/2018
A III SEMUA homenaxeou a José Nieto
26/12/2018
Retrato de seis pioneiras
26/12/2018
Margarita Ledo
26/12/2018
Beatriz Legerén
25/12/2018
Luisa Veira
25/12/2018
Marta Villar
25/12/2018
Pilar Sueiro
23/12/2018
Núas
23/12/2018
Muller personaxe
23/12/2018
Latexos de saudade no cinema
23/12/2018
A película de autos
23/12/2018
II Premios María Luz Morales
23/12/2018
Que nos trae o 2019?
22/12/2018
O mellor dos festivais
08/12/2018
Cronoloxía das catro xeracións
24/09/2018
Pode o pedal dun piano levantar un pobo?
24/09/2018
Realizando cos pés na terra
24/09/2018
O premio é traballar (un clásico)
24/09/2018
Garden’s Road
24/09/2018
Estrelas animadas
24/09/2018
“Unary”, moito máis que unha curta
24/09/2018
Honrados e agradecidos
24/09/2018
Pros e contras das webseries
24/09/2018
Facer webseries é caralludo! (ou non)
24/09/2018
Falan os gañadores dos Mestre Mateo 2015
17/09/2018
Eva & Lilith
17/09/2018
Periferias
15/09/2018
Leonardo di Caprio xa non fala galego
15/09/2018
A dobraxe: un sector cos pés de lama
15/09/2018
Benvida da directiva
14/09/2018
Papeis da Academia 2006-2007
14/09/2018
Papeis da Academia 2007-2008
14/09/2018
Papeis da Academia 2008-2009
14/09/2018
Papeis da Academia 2009-2010
13/09/2018
Papeis da Academia 2010-2011
13/09/2018
Papeis da Academia 2011-2012
13/09/2018
Papeis da Academia 2012-2013
13/09/2018
Papeis da Academia 2013-2014
13/09/2018
Papeis da Academia 2014-2015
11/09/2018
Papeis da Academia 2016
11/09/2018
As músicas da Academia: Manuel Riveiro
11/09/2018
O que vai vir… na Academia
11/09/2018
Isabel Blanco
11/09/2018
César Goldi
11/09/2018
Monti Castiñeiras
11/09/2018
Mabel Rivera
11/09/2018
Marta Doviro
11/09/2018
Laura Míguez
10/09/2018
Papeis da Academia 2017
10/09/2018
María Mera
10/09/2018
Iria Sobrado
10/09/2018
Iolanda Muíños
10/09/2018
Ernesto Chao
10/09/2018
Mónica Camaño
27/12/2017
A festa de despois
27/12/2017
Listaxe de premiados
22/12/2017
Nacidos despois de Sempre Xonxa: a quinta dos ‘millennials’ renova o audiovisual galego
Last year I wrote about why booking too…
15/12/2017
Fernando Velázquez protagonizou a SEMUA
09/12/2017
O galego no cinema galego
08/12/2017
Anxos Fazáns
08/12/2017
Silvia Fuentes
08/12/2017
Andrés Goteira
08/12/2017
Suso López Paz
08/12/2017
Adrián Canoura
08/12/2017
Mar Catarina
08/12/2017
Brais Romero
08/12/2017
Andrea Villa
08/12/2017
Laura Lamontagne
08/12/2017
Santi Cuquejo
08/12/2017
Óscar Cruz
08/12/2017
Jorge Boquete
08/12/2017
Charles Rapante
08/12/2017
Antón Varela
02/12/2017
Equilibrios precarios
02/12/2017
A cámara perseguidora
02/12/2017
Films from Galicia?
11/11/2017
2017 na Academia
09/11/2017
Un ano de festivais
08/11/2017